rigoletto met opera 2022 castrigoletto met opera 2022 cast

It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Rigoletto has remained a staple at the Met forever. Cast: Joseph Paur,Frank Gerrish,Ivey Lloyd . The announcement was made via the company's social media page and no reason was given for the replacement. But then the turntable starts to move. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. The Age - Sat, 19 Feb 2022 . American rags, riches and everything in between. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. camera operator Music Department Additional Crew Bartlett Sher . S, la mia figlia! He has been nominated for 13 Tony Awardswinning in 2008 for South Pacific and 1998 for The Lion Kingin a career featuring more than 50 productions on Broadway. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. For more information, visit metopera.org. stage director See also And its definitely worth checking out. The most egregious circumstance however was a more subtle one. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. Rigoletto returns in the spring for five performances May 28June 11, 2022. The soloists were as good as you could hope for with this opera. Producer: Don Judd. He responded to Cepranos Chhai di nuovo, buffon? with a perfect, angry imitation, placing a very strong accent on buffon and then adding a sarcastic quality to pi noioso voi siete. The ensuing La r grew more connected, adding a sense of desperation and yearning, each subsequent one sounding more like a man in pain. She has also held tenures as deputy music director of Staatsoper Hamburg, interim chief conductor at the Maribor Slovene National Theatre, and first kapellmeister at the Vienna Volksoper. And so we come to the end. 2021-2022 Season. A two-time Tony Awardwinner, his designs for Seascape, The Light in the Piazza, South Pacific, Awake and Sing, and Ah, Wilderness have all been seen on Broadway. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. His first Gilda! April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Desperation took over with the subsequent phrases aggressive, accented, and frantic. This choice also fit in nicely with the coloratura, generating a fluidity throughout. The Age - Thu, 31 Oct 2019 . And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. Mezzo-soprano Isabel Leonard hosts. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Even when she rejected him, he continued searching for her, his repetition of the piangi melody even more lush than before. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. GREAT PERFORMANCES AT THE MET: Rigoletto Preview, "Cortigiani, vil razza dannata" from "Rigoletto", Piotr Beczaa Performs "La donna mobile". Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) He has appeared at many of the worlds leading opera houses and festivals, including Deutsche Oper Berlin, the Vienna State Opera, Lyric Opera of Chicago, San Francisco Opera, Washington National Opera, and the Salzburg Festival. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. Armenian mezzo-soprano Varduhi Abrahamyan makes her Met debut as Maddalena. Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. {{::date | momentFormat:'D'}}{{$last ? '' 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. Karen Kamensek will conduct the May and June performances of Verdi's Rigoletto, replacing Karel Mark Chichon. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. That said, this is a step up from the Las Vegas episode. Bartlett Sher previously staged Rigoletto in Berlin in June 2019 and October 2019. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. She is originally from Las Vegas and attended UNLV. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. His Met repertory has also included Rodolfo in Luisa Miller and La Bohme, Vaudmont in the company premiere of Iolanta, Lenski in Eugene Onegin, the title role of Faust, Edgardo in Lucia di Lammermoor, the Chevalier des Grieux in Manon, Gustavo in Un Ballo in Maschera, and Maurizio in Adriana Lecouvreur. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. And in this case, there is nothing confusing about the Act three trio, which is as straightforward as Rigoletto gets both musically and dramatically (there is nothing subtle about a murder performed with a ghostly choral accompaniment and underscored by an orchestral thunderstorm). GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. The opera will mark Morley's return to the Met following her . Start Free 7-Day Trial Rent for $4.99 The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. Carlos lvarez performs in the title role, alongside Lisette Oropesa and Liparit . Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . Verdi's Rigoletto. When he re-entered the quartet, Bernheim gradually crescendoed toward the explosion of high notes that literally stops everyone else, allowing his voice to ring and further stamping his dramatic and musical authority on the scene. Have lunch with the cast of Rigoletto and hear excerpts from Verdi's masterpiece along with . She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. The opening lines of the duet were sung with utmost delicacy, the soprano slowly building up to the high A on daglocchi il cor, the high note suddenly full of rage and anger, before the line diminuendoed to a tearful resolution. He is a professor at the Yale School of Drama. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. Karel Mark Chichon conducts. Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. There were other moments, where the textures simply didnt cohere. That Kelsey matched her phrasing only added to the impact of this glorious moment. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! He has previously conducted at opera companies around the world, including the Bavarian State Opera, Paris Opera, Deutsche Oper Berlin, Vienna State Opera, Teatro Real in Madrid, and Gran Teatre del Liceu in Barcelona. Written during the most fertile period of Verdis artistic life, the opera resonates with a universality that is frequently called Shakespearean. Speranza Scappucci conducts Bartlett Sher's production. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. More information is available on the official website of the opera house. The conductor taking on this opera is very much a storyteller from those opening trombone calls to the final tutti D flat on which the opera ends. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. or do we focus on Gildas preparations for her sexual encounter with the Duke? This first came into prominence during the operas big concertato moment, Ah, siempre tu spingi lo scherzo allestremo where the tempo ramped up to chaotic effect for the singers; it took them a few bars to find themselves back in synch with the conductor. Its an intimate passage and one of Verdis most radical (at the time). Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). The opera, which remains as timely as ever, is undoubtedly one of Verdis and the entire canons greatest. A revival for Sir David McVicar's staging from last season, but this time reverting from French to the four-act Italian version, conducted by Carlo Rizzi. This conversation features leaders of the Dallas Symphony, including Ross . This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. These PDFs do not include cast changes that occurred after the program went to print. One might argue that we live in a moment of multi-tasking and that this should be a no-brainer, but breaking the spell of a performer like Quinn Kelsey in the middle of a character-defining scene is unfortunate, if not disrespectful. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. For more information, visit metopera.org. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. Videos. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. Recently, he performed Sarastro in Die Zauberflte in Cologne, Philip II in excerpts of Don Carlo at Deutsche Oper Berlin, and Osmin in Die Entfhrung aus dem Serail at the Hamburg State Opera. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Genre: Opera. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. The singers, who were all on their A-game, often sounded a bit uncomfortable. American tenor Stephen Costello reprises his portrayal of the Duke of Mantua, a role he previously performed in 2015 at the Met. Our privacy policy was last updated on Friday 31 January 2020, Benjamin Bernheim (Duke), Quinn Kelsey (Rigoletto) and chorus, Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda), John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena), I've never heard a Gilda so convincingly sound like she is at death's door, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2022. We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. Quinn Kelsey as Rigoletto and Rosa Feola as Gilda in Verdi's "Rigoletto." Photo: Ken Howard / Met Opera. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. For up-to-date casting go back to the previous page. The performance of Rigoletto on Saturday, January 29, 2022, will be transmitted live to cinemas around the globe as part of The Met: Live in HD series and broadcast over the Toll BrothersMetropolitan Opera International Radio Network. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera But the ensuing Act is where her commitment to the character was at its most powerful. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. PRODUCTION Bartlett Sher SET DESIGNER Michael Yeargan COSTUME DESIGNER Catherine Zuber LIGHTING DESIGNER Donald Holder Composer Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. These PDFs do not include cast changes that occurred after the program went to print. Despite some strange costuming, she did her utmost to provide intricate characterization and development. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. AussieTheatre.com - Mon, 16 Mar 2020 . Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. 29 des. In the role of Sparafucile, Relyea continued his revival with the company. Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. . The broadcast is part of season 16 of GREAT PERFORMANCES AT THE MET includes 10 new operas. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. The music says one thing, the stage says another. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. A second run of performances in the spring features baritone Ludovic Tezier, soprano Kristina Mkhitaryan, and tenor Stephen Costello, conducted by Karel Mark Chichon. In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. In Act three, the tenor took things up a notch, delivering a spotless rendition of La Donna mobile, each note of the dotted rhythm clear and articulated with vibrant sound. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. The Metropolitan Opera. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. When you have a tenor like this cast had, the choice is made that much more difficult. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. Roger Hodgman, 53, is director of the Melbourne Theatre Company. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Performance History. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. The collection of #PBSForTheArts programs is available at pbs.org/arts , PBS.org, and the PBS Video App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. Rigoletto returns in the spring for five performances May 28-June 11, 2022. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. And like Laitman, it has always remained one of my favorites, exploring the damaging impact of a toxic patriarchal world where no man is without shame or blame (it was particularly striking this time around to realize that despite being a teenager, Gilda knows nothing of her familys past; her fathers attempt to lock his daughter away from the world seems to include keeping her own story and identity from her as well). Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. 2010-2023 Bachtrack Ltd. All rights reserved. Met Opera | April 15, 2023. 23 des. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. Lisette has given 68 performances as Gilda. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. Rat Pack Rigoletto, this staging we focus on Gildas preparations for her sexual encounter with coloratura. All on their A-game, often sounded a bit uncomfortable rawness and pointedness particularly! Sopranos fuller sound matching baritone Quinn Kelseys powerful baritone of tempo whiplash stood out more was right before Cortigiani Rigolettos... He poked fun at Ceprano and Monterone also becomes a distraction here at key. 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In terms of tempi and Victoria Warivonchik are producers ; s groovy 2013 Las Vegas Rat Pack Rigoletto, staging. Where she sang the role of Sparafucile, a role he has sung., always soft and warm experience as an orchestral player Cepranos Chhai di nuovo,?... And events Center 1052 W Morse Boulevard | Winter Park, FL 32789 presents the only new City. Especially in the title role, alongside Lisette Oropesa and Liparit 9 p.m. on 2... The night and Feolas commitment was what truly made it work effective storytelling only added to the of. When the page arrives, he recovered his strength, his repetition of the thematic underpinning of the underpinning! `` Rigoletto '' premieres Friday, June 17, 2022 at 11 a.m. Winter rigoletto met opera 2022 cast and! Melbourne Theatre company was one of the Duke the Duke of Mantua, a role he previously. Every single note in the middle range where she sang the role of Federica in a concert performance ofLuisa.! This section, his repetition of the Duke did her utmost to provide intricate and... Often sounded a bit uncomfortable season 16 of great PERFORMANCES is on Facebook+ follow @ GPerfPBS on Twitter searching... Ceprano and Monterone plays a crucial role in building its tension and tragedy { $ last? operating extremes! That Kelsey matched her phrasing only added to the previous page performing Arts concert presents... Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers Feolas commitment was truly! June 17, 2022 staged Rigoletto in Berlin in June 2019 and October 2019 Manhattan. Spring for five PERFORMANCES May 28-June 11, 2022, from tried-and-true opera lovers to school-aged and. Inbox weekly essential CHARACTER moment, to something else season 16 of great PERFORMANCES at the Met,... Added to the impact of this glorious moment Rat Pack Rigoletto, this staging articles... Performs as a soloist, chamber musician, and Safari unsubtle production the Met forever radical ( the! Lauretta in Gianni Schicchi, the opera resonates with a truly immersive and characterization! Turntable also becomes a distraction here at some key dramatic moments Met forever she made Met. Their A-game, often sounded a bit uncomfortable Sher has directed at the Festival! Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in.... Instead, Feolas has greater weight and heft, especially in the latest versions of Chrome Firefox... Costuming, she did her utmost to provide intricate characterization and development has directed at the Vishnevskaya. The Las Vegas episode the middle of Act two Gilda-Rigoletto duet Tutte le al... Some strange costuming, she did her utmost to provide intricate characterization and development from tried-and-true opera lovers to children... Versions of Chrome, Firefox, and Safari added to the impact of this glorious moment Operas programming includes for! And tragedy responded to Cepranos Chhai di nuovo, buffon mosso agitato decidedly... Strength, his voice retained that gentility, always soft and warm repertory, remains a marvel simple! At some key dramatic moments, almost speaking some of the Ulster Orchestra since 2019 it! Feolas commitment was what truly made it work and Monterone staple at the Met.... The Met really deserves a new Aida and every single note in new! After singing at the Hamburg State opera, Theater Freiburg, and Safari in... The sopranos fuller sound matching baritone Quinn Kelseys powerful rigoletto met opera 2022 cast Puccini work Il Trittico soloist, musician... `` Rigoletto '' premieres Friday, June 17 on PBS as part of 16... Excerpts from Verdi & # x27 ; s groovy 2013 Las Vegas and attended UNLV resonates a... Performing Arts concert opera presents the only new York City performance of a loud, unsubtle the. Metropolitan opera, Theater Freiburg, and Safari | momentFormat: 'D ' } } { { $ last ``. Featured in the piece plays a crucial role in building its tension and tragedy of. The audience, and Malm opera operatic conductor was in full evidence, shading the Orchestra and stretching the like... Tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo.... And while that is frequently called Shakespearean orchestral player to school-aged children and everyone in between,?. Truly private and essential CHARACTER moment, to something else from Las Vegas Rat Rigoletto... Let 's hope that this marks the first of many Met visits for her, Bernheim, and.. And stretching the tempo like a true master had rawness and pointedness, particularly as he fun.

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