Gender: Female. A Broadway revival opened in 2010. The cast featured Ron Holgate (Tito), Anna Nicholas (Maria), Edward Hibbert (Bellhop), Denis Lawson (Max), Jan Francis (Maggie), John Barron (Saunders), Gwendolyn Humble (Diana), and Josephine Blake (Julia). Max is mistaken for Tito, and Tito is mistaken for Max by Saunders. A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. Information: 381-4864. Max returns to the bedroom, but is shocked and horrified to find Tito is missing from the bed. Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. His pulse is so low that Saunders and his assistant Max believe hes dead. He goes into the bathroom to change, and later returns, dressed as Othello, in a costume, wig, and blackface makeup. 2023 Vimeo.com, Inc. All rights reserved. Mary Catherine Garrison. To achieve the bold 1930s art deco set of black, white and red and coordinating costumes that add to the production's sleek and elegant effect, costume designer Lindy Davis combed thrift shops and theater companies for authentic period clothing. . Seeking 2 Actor Team for Spring Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. The play was first presented in New York City on March 2, 1989 at the Royale Theater by Martin Starger and The Really Useful Theater Company with the following cast: MAX - Victor Garber; MAGGIE - J. Smith-Cameron; SAUNDERS - Philip Bosco; TITO - Ron Holgate; MARIA - Tovah Feldshuh; BELLHOP - Jeff Brooks; DIANA - Caroline Lagerfelt; JULIA - Jane Connell, Directed by Jerry Zaks; Set Design by Tony Walton; Costume Design by William Ivey Long; Lighting by Paul Gallo; Sound Design by Aural Fixation. New York, NY, Linda Ray Of course! As Scene I of the play opens, Henry Saunders, general manager of the Cleveland Grand Opera Company, is anxiously awaiting the arrival of Tito Merelli, a world-famous Italian opera tenor, known as "Il Stupendo" to his many fans. Come join me, will you? Join StageAgent today and unlock amazing theatre resources and opportunities. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. The 21-year-old company's other productions include "Cafe Theater," opening in March, and Carl Reiner's "Enter Laughing," slated for May. Victor Carr, as the tyrannical Saunders, manages to pace his perpetual hysteria without peaking prematurely. When she finds Maggie hiding in the bedroom closet, trying to get Tito's autograph, Maria angrily assumes that Maggie is Tito's secret lover. Description Lend Me A Tenor Act I Account 157.55.39.99. You can see four different versions of it and enjoy each one.". Arriverderci. A few brief words, nothing elaborate. Still do the performance? Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. . A center "stage wall" divides the two rooms, with a door leading from one room to the other. Search all monologues. Login. It's unbelieveable but it's written strongly enough for the audience to suspend disbelief.". "Evey lead must be strong," said the Ellicott City resident. Since no one else knows that Tito is dead, Max will step into the Othello role and pretend to be Tito. The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. "Cafe Theatre" will feature either three one-act plays or two one-act plays and a monologue. It was a major challenge to find two very good actors who could sing, even though it's only for a short time.". Ladies and gentlemen Mr. Tito Merelli killed himself this afternoon, thereby depriving many ofa great pleasure. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. And from Shakespeare in Hollywood, I would suggest the short monologue by the character Max Reinhardt in Act I, Scene I, page 17 of the Samuel French edition.As for monologues from other sources, I couldn't tell from your email if you were looking for specifically comic pieces, so I've included a range of my favorite monologues from Shakespeare's plays:From Much Ado About Nothing, there are two great monologues by Benedick. I'd be happy to suggest a few monologues for men from my plays as well as some of my favorite monologues from Shakespeare.From my plays, there are three monologues that might be of interest:1. Max manages to calm Tito down, and takes the singer into the bedroom, where Tito lies down on the bed for a rest. A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. All monologues are property and copyright of their owners. Lend Me a Tenor (Revival, Play, Comedy, Farce, Broadway) opened in New York City Apr 4, 2010 and played through Aug 15, 2010. . Every aspect of the internet, we believe . Tito and Max sing a duet together ("Dio, che nell'alma infondere" from Verdi's Don Carlos). Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in 1934 as Henry Saunders, the General Manager of the Cleveland Grand Opera Company, is ready to welcome world-famous singer Tito Merelli for his starring role in Pagliacci. Lend Me a Tenor is a comedy by Ken Ludwig. A Broadway revival began performances at the Music Box Theatre on March 13, 2010 in preview and officially opened on April 4, 2010. "We look for comedies that are fast-moving and designed for good opportunities to laugh. trying to stab himself with a wine bottle). "- Desert News, "One of the funniest comedies ever written. Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. Sorry! Search all monologues from plays. Research Playwrights, Librettists, Composers and Lyricists. "- Glendale Theater Examiner. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall In a frantic attempt to salvage the evening, Saunders persuades Max to get into Morellis Canio costume and fool the audience into thinking hes Il Stupendo. Monologues from Plays. For the musical adaption, see, "'Opera Buffa' is comedy hit of the season for American Stage Festival. . "I hope this is helpful. From Lend Me A Tenor, I would recommend Saunders' monologue towards the end of Act I, just after he's discovered that Tito Merelli is unconscious and possibly dead. General admission is $8. When Saunders arrives, Max tearfully tells him that Tito is dead. (Unbeknownst to either of them, Tito accidentally takes a double-dose of tranquilizers.) The Broadway League is the national trade association for the Broadway industry. Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. Report this file. Part Size: Lead. Brooke Adams. [10], In 2022, Ludwig adapted a gender-swapped version of the play entitled Lend Me a Soprano which will run at the Alley Theatre in Houston, Texas from September 16 until October 9. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. (Throughout the play, the audience can see what's happening in both rooms at the same time.). The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. As is typical of farces, mistaken identities and double entendres reign until everything resolves happily. We will place the best person for those roles, whether they sing or not. Audition Monologue #1 (Female) It's no good you going on. Ill have to make an announcement of course. Saunders' harried assistant, Max, is also in the hotel suite. Horrified that his wife has left him, Tito goes into a fit of passion and tries to "kill himself" with various non-lethal objects (e.g. However, Saunders comes up with a plan. Auditioners for the roles of Max, Tito and Bellhop will be asked to sing from music sides. We don't currently have any monologues from Lend Me a Tenor. I- I could tell him that you're looking for him. Audition Packets are available on the website. The musical version, with book and lyrics by Peter Sham and Music by Brad Carroll opened at the Theatre Royal, Plymouth, on September 24 and ran until October 6, 2010, after which it transferred to London's West End on June 15, 2011 and closed on August 6, 2011, despite mostly good reviews but two months of poor ticket sales. A musical inside a musical will unfold at Southern Illinois University Edwardsville when. "The play is pure entertainment," said director Kathy Turyn Romaine, who is also a CCP officer. Hello Ken!Wow! The play opened in a revival in New York City on April 4, 2010 at the Music Box Theater produced by The Araca Group,Stuart Thompson,Carl Moellenberg,Rodney Rigby,Olympus Theatricals,Broadway Across AmericaandThe Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President) with the following cast: MAX - Justin Bartha; MAGGIE - Mary Catherine Garrison; SAUNDERS - Tony Shalhoub; TITO - Anthony LaPaglia; MARIA - Jan Maxwell; BELLHOP - Jay Klaitz; DIANA - Jennifer Laura Thompson; JULIA - Brooke Adams, Directed by Stanley Tucci; Set Design by John Lee Beatty; Costume Design by Martin Pakledinaz; Lighting by Kenneth Posner; Sound Design byPeter Hylenski; Hair and Wig Design byPaul Huntley; Make-Up Design byJoe Dulude, II; Associate Scenic Design:Kacie Hultgren; Associate Costume Design:Sarah Sophia Lidz; Associate Lighting Design:Aaron Spivey; Associate Sound Design:Keith Caggiano, ArtZany: Lend Me a Tenor with director Marc Robinson, LEND ME A TENOR Is Frantic, Frenetic Farce at Theatre Harrisburg, Ask Someone to Lend You a Ticket to LEND ME A TENOR. "The role doesn't require the character study that more serious shows do," said the Ellicott City attorney who was a county prosecutor until last year. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! Lend Me a Tenor will have audiences teary-eyed with laughter. Gain full access to show guides, character breakdowns, auditions, monologues and more! Yes, that's five doors on the stage of the Music Box Theater, where a revival of Ken Ludwig's "Lend Me a Tenor" opened Sunday night. New York, NY, Linda Ray As the curtain falls on Act One, Saunders and Max leave for the performance, just as Tito wakes up in the bedroom. This article is about the play. Please enable JavaScript to experience Vimeo in all of its glory. Henry Saunders -- General Manager of the company -- is beyond stressed about everything turning out right, and insists that his assistant, Max -- a nervous, young fellow and secret tenor extraordinaire -- watch over Titos every move to ensure smooth sailing. Partner Sites Youtube to Mp3 Converter About Us This project started as a student project in 2014 and was presented in 2017. Vocal Part: Spoken. Then Saunders gets a phone call, telling him that the police are downstairs in the lobby. In short, our star for the evening has departed this world in a final gesture of selfishness and deceit unrivaled in the history of comic opera!What? A rehearsal schedule will be available Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. A sensation on Broadway and in Londons West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter. Both are from Act II, Scene 3: The first one is at the beginning of the act and begins, "I do much wonder that one man" and the second one is towards the end of Act II and begins, "This can be no trick"From Henry IV, Part 1, I'd suggest Falstaff's speech in Act II, Scene 4, that begins, "If sack and sugar be a fault, God help the wicked. History. I suppose we'd better go. Come join me, will you? SAUNDERSWell, I guess that wraps it up. character breakdowns, auditions, monologues and more! The winner of two Tony Awards and four Drama Desk Awards has. Monologues for Women; Comedic; . Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. Anoka-Ramsey Community College, Maggie Saunders at A hotel suite in Cleveland, Ohio, in 1934. a world-famous tenor, known to fans as Il Stupendo, Maggie's father, GM of The Cleveland Grand Opera Company, The Shubert Organization (Philip J. Smith: Chairman; Robert E. Wankel: President), Wendy Federman/Jamie deRoy/Richard Winkler. The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986. During Max's performance, the "lunatic" tried to force his way into the opera house, hit a policeman who tried to stop him, and ran away. Maggie Saunders at Cedar Street Players . Portrayals Overview; Characters; Videos; Monologues; Scenes; . Possum Point Players, Tech Crew at They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." "The play allows for that. AUDITION REQUIREMENTS: Please bring a current headshot & resume. New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. Sign up today to unlock amazing theatre resources and opportunities. I've included this monologue below, since it requires putting three speeches together.2. MAX, his assistant, suggests that the performance go on as scheduled, with the understudy playing the starring role instead. A sequel titled Comedy of Tenors was written by Ludwig. Maria storms out just before Tito falls deeply asleep. He is nervously waiting for the very late Italian opera superstar, Tito Merelli, who is scheduled to sing Verdi's "Otello" for the company's 10th anniversary celebration that evening. But these are just some of the backstage goings-on during a night at the opera in the hit comedy, "Lend Me A Tenor.". Throw in Diana, an ambitious, female co-star; Maggie, Maxs giddy girlfriend; Julia, a flirty head of the opera guild; and a meddling bellhop fighting for Titos attention. Max finds an empty medicine bottle and Maria's "Dear John" letter, which is written in such a way ("By the time you read this, I will be gone.") The angst-free farce "Lend Me A Tenor" was written by Washington attorney Ken Ludwig and produced in 1989 by Andrew Lloyd Webber. The understudy. Maggie's father, GM of The Cleveland Grand Opera Company. The first review, in the NH Derry News, called it "one of the most brilliant and inspired new comedies this year. ** Please note that the ages listed are not set in stone. When they grabbed him he actually hit a policeman. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall I can't open sardines and answer the phone. The star arrives late and, through a hilarious series of mishaps, is given a double dose of tranquilizers and passes out. Acting Monologues . Jane Summerhays and J. Smith-Cameron Photo: Martha Swope, Philip Bosco as Saunders - Jane Connell as Julia - Tovah Feldshuh as Maria Photo: Martha Swope, Lend Me A Tenor at the Theater in der Josefstadt in Vienna, Austria starring Otto Schenk, 2 Tony Awards - for Best Direction of a Play and Best Actor in a Play (Philip Bosco), 5 Tony Award Nominations including Best Play, 3 Outer Critics Circle Awards - for Best Set, Best Costume and Best Lighting Design, 4 Drama Desk Awards - for Outstanding Actor in a play (Philip Bosco), Best Costume Design, Best Director and Outstanding Featured Actress in a play (Tovah Feldshuh), Oliver Award for Comedy of the Year (nominee), A remarkable piece of theatre a masterpiece Author Ken Ludwig has verve, a sound grasp of plot mechanics and a rare ability to couple high art with low comedy.- The London Times, One of two great farces by a living writer.- The New York Times"Ken Ludwig's 1989 Tony-winning comedy is one of only two classic farces by a living playwright, the other being Michael Frayn's frenetic "Noises Off"- Daily News, The most inventive, original farce in a long time - Punch, A furiously paced comedy with more than a touch of the Marx brothers A marvelous combination of wonderful farcical moments and funny lines.- Time Out, Hilariously over the top.- The Manchester Guardian, Fills the theatre with the sound of laughter.- The (London) Sunday Express, Free flowing honest-to-goodness unforced farce.- New York Magazine, Its hilarious The funniest show on Broadway.- WNEW, "A rollercoaster of fun for everybody in the buildinga solid, constantly accelerating snowball of a comedy! Lend Me a Tenorhas been translated into sixteen languages and produced in twenty-five countries. Seeking 2 Actor Team for Spring [7][8] The revival closed its limited run on August 15, 2010. Tickets are $7 for seniors and students. You also provided your favorite Shakespearean comedic monologues for women.I'd love to hear your thoughts on your favorite monologues both from your works as well as others for men.THANKS!AdolphoKen replies:Dear Adolpho,I'm so glad to hear you've enjoyed reading the blog. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. After a huge fight with his fiery, Italian wife Maria, Tito receives a double dose of tranquilizers through a series of mishaps. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall A Broadway revival opened in 2010. Singing is not required for any role, however, if Tito and Max can sing, we may switch to live performance singing as opposed to recordings. Tony Shalhoub as Saunders and Brooke Adams as Julia in Lend Me a Tenor. Inspire employees with compelling live and on-demand video experiences. Search. Make Salome look like The Merry Widow!To ask Ken a question, click here. Ken Ludwig has written a crackpot comedy worthy of comic masters Preston Sturges, Billy Wilder or Howard Hawks. Join StageAgent today and unlock amazing theatre resources and opportunities. The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. Michael Kraklio, director. Together, Max and Saunders find a way to save the Opera Companys big night in grand, farcical fashion. Scheduled, with a sofa and chairs at right and a monologue resolves happily! to ask Ken question... Needs, and they can announce Tito 's death tomorrow morning the stage when finds. 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